These days a lot of people like to use smartphones and tablets. Those are popular because they can connect to the Internet.
OK so our writer is using those as a substitute for smartphones and tablets. However, it would have been better to use these: Continue reading
It has been argued that expenditure needed for applying a circular economy tends to be high (Kirchher et al., 2017). However, their claim is easy to counter given the many economic benefits offered by a circular economy.
This writer has used their as a substitute for a source – Kircher et al. However, since the source is in brackets and has not yet appeared in the body of the text, we have to assume that the reader has not yet seen it! Only use a pronoun as a substitute if the noun you are substituting has already been mentioned in the body of the text: Continue reading
A good way to avoid repetition in writing, and at the same time to cement (= stick) sentences together so that ideas flow smoothly, is to use what’s called referencing and substitution (many examples of referencing and substitution in previous posts).
In this post we focus again on using it and this as substitutes for themes and rhemes. If you’re not sure what is meant by theme and rheme, please read this before trying the activity below. Continue reading
People who live in remote areas sometimes have limited access to the things they want to buy. Since it cannot be provided by retail shops, online shopping may be the solution.
To make your writing ‘flow’ so that pieces of information connect together well, use ‘it‘ only when ‘it‘ refers back to the subject of the previous sentence.
When you use ‘it’ then the subject will be either singular countable or uncountable:
In the opening example the reader searches for but cannot find a subject to match ‘it‘. For a start, all of the nouns are plural!
After re-reading the text two or three times we see you are using ‘it‘ to refer to ‘the things people want to buy‘, which is rather confusing since ‘the things people want to buy‘ is not the subject of the previous sentence and it is neither singular countable nor uncountable.
This kind of mismatch interrupts the flow of information in the text and brings down your score for coherence and cohesion in IELTS writing, as well as your score for fluency in IELTS speaking.
In order to maintain ‘flow’ in the online shopping example, you need to do this:
And for even better flow you can remind your reader about the context of those retail shops. After all, you’re not talking about retail shops in the middle of a large city, are you?
Students often complain, “..but now there’s a lot of repetition!”
Perhaps, but your first priority is to communicate effectively. If the only way to achieve this is by repeating a few words, then you MUST repeat them.
And remember – ‘it‘ refers back to the subject of the previous sentence. Do not make the following mistake:
The graph illustrates information about the results of a poll of theatregoers regarding disturbances during theatre performances. In general the 4 most disturbing problems are coughing, rustling sweet papers, whispering and arriving late. Their percentages stand at above 50%.
Thanks to the context setting at the start of the essay, I can see that 50% means 50% of the theatregoers who took part in the poll. But it’s not immediately obvious and I had to read the opening a second time to make sure I understood what you meant. If a text is difficult to understand then it will receive a low score in IELTS for coherence and cohesion (CC). In the example above it can also affect your score for task achievement (TA), because you don’t really say anything meaningful about ‘50%‘. (See IELTS Task 1 Writing public band descriptors)
A good strategy to introduce and develop percentages in IELTS Task 1 can be seen in this extract from an article in The Economist (analysis below):
Data collected by USC Annenberg (University of Southern California) demonstrate that the “hyper-sexualisation” of men in films has increased substantially in less than a decade. Of the 100 top-grossing films at the US box-office in 2007, 4.6% of male characters [1] were seen dressed in “sexualised attire” and 6.6% [2] were shown “with some nudity”. In 2014 those figures stood at 8.0% and 9.1% [3]. 2013 marked the highest point of this trend (the year that “Man of Steel”, featuring Mr Cavill, was released), with 9.7% of male characters [4] shot in sexually alluring clothing, and 11.7% [5] taking some—or all—of their kit off on film.
That said, Mr Cavill and Mr Harington would do well to remember that these figures are paltry when compared to those of actresses. In 2014, 27.9% of female characters [6] wore ‘sexy’ clothing and 26.4% [7] exposed their chests, legs, or other body parts on camera: they are roughly three times more likely to be objectified on screen than men.
(source)
[1] The first percentage is expressed using the following pattern:
x% + of + noun (‘male characters’) + verb (‘were seen dressed..’)
Notice that the reader knows exactly what is meant by ‘male characters‘ thanks to the clear context setting of the opening sentence. Setting a context like this makes your writing coherent. When you use this structure you explicitly state the ‘whole’ – in this case ‘male characters’.
[2] The second percentage obviously also applies to ‘male characters’, and so there is no need to repeat ‘..of male characters’.
[3] ‘Those figures’ signals back to the previous two percentages, which we understand refer to ‘male characters’. Notice the structure:
past time expression (‘In 2014’) + subject (‘those figures’) + ‘stood at‘ + x%
[4] ..follows the structure:
x% + of + noun (‘male characters’)
[5] is in the same sentence as [4], and so we can assume the figure also refers to ‘male characters’.
[6] ..follows the structure:
x% + of + noun (‘female characters’).
We’re not surprised to read ‘female characters’ because this new context was set in the opening sentence of the paragraph. Again, this context setting makes your writing both cohesive and coherent since you explicitly state the whole (now ‘female characters’).
[7] is in the same sentence as [6], and so we can assume the figure also refers to ‘female characters’, which is the new context of this second paragraph.
Make sure your first mention of a percentage includes an explicit reference to the whole:
x% + of + noun (the whole)
Would anybody like to try and re-write the text about theatregoers to make the ‘50%’ figure mean what it’s supposed to mean? Answers in comments below! 🙂
PS. Another example of what I’m talking about just came to my attention:
Researchers identified 990 fatal shootings in 2015 – more than twice as many as had ever been recorded in a single year by the federal government – and Washington Post data journalists and graphic designers built an interactive, searchable database detailing those incidents.
A team of Washington Post reporters dug into the data and revealed that most of those who died were white men armed with guns who were killed by police in threatening circumstances. But The Post also uncovered some troubling patterns: A quarter of those killed were suicidal or had a history of mental illness. More than 50 of the officers involved had killed before. And while only 9 percent of people killed by police were not armed, unarmed black men were seven times more likely than whites to die by police gunfire.
source: Washington Post
The government has just removed fuel subsidies. It means that the price of basic goods will surely go up.
It’s sometimes useful to think of a sentence as having a theme (in this case ‘The government’) and a rheme (‘has just removed fuel subsidies’).
When you want to refer back to the theme, use a pronoun:
When you want to refer back to the rheme, use ‘this’ or ‘these’:
Choosing the right referencing word (‘it’ or ‘this’) will make your writing more coherent (easier to understand). If you are preparing for IELTS, the right choice of referencing word will give you a higher score for coherence and cohesion (see IELTS public band descriptors).